Accidental Existence

—Warsan Shire (via aprill-showers)

(via fuckyeahexistentialism)


the show must go on (even if it is still)

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(3,449 plays)

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Une Femme est Une Femme by Jean-Luc Godard, 1961

Une Femme est Une Femme by Jean-Luc Godard, 1961

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The song recounts a specific sexual assault (“One of the most shattering experiences of my life,” Grimes, who was born in Vancouver as Claire Boucher, told SPIN in 2012) by describing the psychic fallout: “And never walk about after dark/ It’s my point of view/ Because someone could break your neck/ Coming up behind you always coming and you’d never have a clue,” she lisps in her high, pinched voice. It’s a dazzling, paralyzing performance, in part because Boucher sounds almost playful, and in part because the skronking behind her—the song’s springy, propulsive synth line was one of 2012’s most unforgettable—indicates something other than victimization. “See you on a dark night,” Boucher repeats. […] But what “Oblivion” ultimately offers is victory. It’s the sound of one woman turning personal devastation into not just a career-making single, but a lasting anthem of transformation.

Grimes’ Oblivion is the best song of the decade - so far.

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(81,508 plays)

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Aimee Bender, “On a Saturday Afternoon”


Aimee Bender, “On a Saturday Afternoon”

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—Max Planck (via expose-the-light)

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Mortality is a myth, Ted Lawson


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